We must have p-passed by that trap door 20 t-times in the last week and we only just noticed-. Malicia: Nothing. I thought I heard something. Someone could walk by and hear us. Hurry up and find something so we can get out of here before they get back. Malicia: The person who built this place. Continue reading B. Do you love writing and reading? Thinking of studying and pursuing a career in English? Read my new Student Profile: Studying English article to find out the nitty gritty details of studying literature, journalism and creative writing.
Week 2 October Reflections on class work:.
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In class this week, we discussed how the perception of Scotland is formed in relation to our speech. I believe that Scottish people find difficulty in differentiating between their informal regional dialect and their formal traditional English tongue. The conflict between these two registers has to a certain extent created an insecurity and even a slight embarrassment among Scots.
I believe this to be the case because Scots are continuously re-adjusting their use of language based on who they are speaking to and are at constant risk of being ridiculed for their use of certain words and phrases. Connotations of machinery are used continuously throughout the paragraph as Muller emphasises the constraints the narrator feels that are pressuring the Romanian working society. By highlighting this, Muller stresses the bleak existence of the factory workers as they are trapped in a dead-end labour position for the rest of their lives with the only alternative being going on the run, which often resulted in assassination.
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The things the workers slapped together with their hands needed no names inside with heads. I will also argue through close reading of an extract from p. Under the dictatorial political state, Muller illustrates that the population of Romania were stripped of their free speech, their liberty, their choices and essential their humanity. Muller conveys this theme of extreme adaptation by creating a relationship between the speaker and the machines she works with.
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Muller emphasises this point in this extract:. By subtly implying this notion, Muller is also suggesting that death was no longer considered something to mourn over but seen as an escape from a life of misery and labour. Muller goes on to illuminate a connection between the equipment and the persona through anthropomorphising the machinery. Muller also uses this to infer the gradual change in the speaker from being a free thinking human in being a manufactured, numbed robot. By anthropomorphising the machinery and implying that the persona can communicate with the devices, Muller effectively dehumanises the speaker.
Throughout the whole text, Muller often uses these subtle techniques by means of subtext to suggest a much more serious undertone and to imply that there is a bigger picture. By doing this, Muller, without being forceful or blatant, aptly hints to and encourages the reader to discover the hidden messages for themselves. Muller uses these and similar ingenious linguistic techniques throughout the novel to confuse the reader and hint that the author and the characters within the novel are partially withholding information.
Upon the first reading of the passage studied in this essay, the extract appears to be merely repetitive description of the speaker going through the motions of her job in an industrial factory.
The Passport , a novella by Herta Muller, follows the story of Windisch, a village miller, trying to secure passports for his family to emigrate from communist Romania to West Germany. I will be disagreeing with the above statement by illustrating how Muller who lived in communist Romania herself in fact uses poetic language and linguistic techniques to portray a rounded and accurate, all be it a bleak, view of Romanian society and not an imaginary or exaggerated version. Muller illustrates this terror, in a folk lore and Gothic Horror style, as the villagers discover that the apple tree behind the village church appears to be animated and eating its own apples.
The immediacy that the villagers feel to burn and destroy the tree suggests to the reader that the Romanian people felt such anxiety and dread at the concept of something alien that they instantly assumed it was something evil. Muller subtly indicates irony as the ethnic minority of Germans in the Banat region of Romania were in fact a community of alienated and trapped people themselves. Muller also shows the reader in the style of a 17th century witch-hunt that anything viewed as new or unfamiliar was considered dangerous.
Muller presents their need to destroy the seemingly mystical apple tree as proof that the public felt they must eradicate everything within the environment and everything within themselves that was considered abnormal, so that they could live without further surveillance and punishment from the state.
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